Her hands are pear-sized,
always petite, well-shaped,
gloved now in leather,
cradling squares of slate,
gray and mottled red.
Her spine is straight,
with waist bow-tied
by apron’s knots,
fabric bright gold
with seams of burnt umber.
Eyes fixate on dark line
drawn with a straightedge.
She lines up the lead mark
with a diamond tipped blade,
adjusts the guide bar, retightens
a knob or two, squints again,
sees a path through the cut.
With unperturbed pace,
her right hand stretches
forward, and click
motor belches,
bellows, shrieks,
zings, grinds out
a foul racket.
She ignores
the stench of noise
and shepards each damp tile
into its next dimension,
invents a new
geometry, bestows
a proof
for this father’s
empty nest.
Copyright 2011 by Tom Flynn
"the stench of noise"
What a great image.
Nice mix of the coarseness, serenity, and clarity of a skilled worker at her craft.
Posted by: David Houtchens | Sunday, March 06, 2011 at 01:19 PM
I also LOVE "stench of noise." Really, really well done. As usual.
Posted by: George | Sunday, March 06, 2011 at 05:05 PM
Thanks David and George. I'm glad you like the stench of noise line because I wasn't convinced it fit and almost massaged it off the page.
Posted by: Tom Flynn | Sunday, March 06, 2011 at 08:34 PM